1,207 Royalty-Free Audio Tracks for "J. C. Heed"

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

C major triad, played by me

Persian scale on C.

Minor major seventh chord on C.

In the shade of the palm from Leslie Stuart and Owen Hall's Florodora. Sung by Frank C. Stanley in 1902. This is Edison Gold Moulded Record #8066. Other titles for this song include: In the shade of the sheltering palm Shade of palms There is a garden fair Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit, with "In the shade of the sheltering palm" also quite popular.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

Aeolian mode on C. No pitch bend.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

20-tet scale on C. MIDI pitch bend matches intervals.

18-tet scale on C. MIDI pitch bend matches intervals.

Minor 6/9 chord on C. Created by Hyacinth (talk) 09:57, 11 December 2011 (UTC) using Sibelius 5.

22-tet scale on C (54.55 cent steps). MIDI pitch bend matches intervals.

8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Minor ninth chord on C. Created by Hyacinth (talk) 08:44, 29 May 2011 (UTC) using Sibelius 5.

Just major seventh chord on C (8:10:12:15).

41-tet scale on C (29.27 cent steps). MIDI pitch bend matches intervals.

34-tet scale on C (35.29 cent steps). MIDI pitch bend matches intervals.

31-tet scale on C (38.71 cent steps). MIDI pitch bend matches intervals.

C harmonic minor scale ascending and descending.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

72-tet scale on C (16.67 cent steps). MIDI pitch bend matches intervals.

Ninth augmented fifth chord on C.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Piano Concerto No. 2, Op. 18 in C minor for piano and orchestra (13 minutes, then Scriabin Nocturne Op. 9, No. 2)

Sonatina No. 1 in C Major - II. Andante by Aaron Dunn

Sonatina No. 1 in C Major - III. Vivace by Aaron Dunn

Original Dixieland Jazz Band: "Saint Louis Blues" (1921)

Etude no. 1, op. 10 in c major

Bad guy/"Villian" motif/riff.

C-sharp melodic minor scale ascending and descending.

C-sharp harmonic minor scale ascending and descending.

Neapolitan minor scale on C - as MIDI

C♯ natural minor scale ascending and descending.

Schubert Quartett-Satz in C minor, opening bars

Sonatina No. 1 in C Major - I. Allegro by Aaron Dunn

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

Stephen Foster's music to "We Are Coming, Father Abraham", played by the United States Marine Band. Performed February 16, 2009 at The Music Center at Strathmore. Col. Michael J. Colburn, conducting; Gy.Sgt. Kevin Bennear, baritone.

72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals

Alternate augmented ninth chord on C.

53-tet scale on C (22.64 cent steps). MIDI pitch bend matches intervals.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Algerian scale. No pitch bend.

*Five quarter tones on C. Equal-tempered: 25/24:1 = 250 cents. MIDI pitch bend: 0,80 Preceded by:File:Three quarter tones on C.mid

Bach C minor Passacaglia ground bass

Étude Op. 25, No. 12 — allegro con fuoco.

D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand

Dominant eleventh chord in four-part writing.